Pop: You know, after enough years have passed, my memories are more like memories of memories, rather than fresh images, but with that said, here goes… What general memories do you have from the Goose Lake festival? Pop, now 73 and living in Florida (he released a new album, “Free,” last year), took a few minutes via email to recall that august August night… The music is captured on a new album, “Live at Goose Lake August 8, 1970,” coming out Friday, Aug. Nevertheless the Stooges charged through their then-new album, “Fun House,” despite the stage crew’s attempt to move the band off after just 20 minutes. Alexander in particular had a rough night, and long-simmering tensions in an already combustible alchemy of personalities brought an end to this incarnation of the iconic band. 8, marked the last time the original lineup of the Rock and Roll Hall of Fame truope - Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton and bassist Dave Alexander - would play together, after two studio albums. But it was certainly one of most notable, and newsworthy, shows in the Ann Arbor group’s career. Iggy's voice is captured well and Williamson's chord work has heft, but his harsh, metallic lead lines leap out at the listener, bass is woolly and muffled, and at times the drums are almost completely swamped.The Stooges were not necessarily the biggest band on the bill at the Goose Lake International Music Festival in 1969. Iggy and James Williamson's initial version was rejected, and it was remixed by Bowie for release. Yet few rock albums have had their mix and production discussed and criticised as much as Raw Power. Frith reckoned the former was 'mean and magnificent' but, 'in the end, though, it is just this exhilarating mindlessness that is frustrating the simple music carries too simple a message'.ĭave Marsh, in the Detroit music magazine Creem, said the album was 'tremendously powerful' and showcased 'skilful production'. Writing in The Times, Richard Williams praised its 'complete absence of subtlety' and 'marvellous vigour', while in Let It Rock, Simon Frith rather provocatively reviewed the album together with Mike Oldfield's Tubular Bells, thus covering the entire spectrum of rock music in 1973. ![]() ![]() Raw Power was released in February 1973 to mixed but positive reviews in general. The singer on stage in Minneapolis in July 1970 'Shake Appeal' taps back into the hysteria of rock 'n' roll's early days in the manner of Little Richard and the album rides out on 'Death Trip', a dark track which slowly gains in cumulative power over its six-minute duration. Iggy croons malevolently, like a caricature of Jim Morrison, on 'I Need Somebody', and on the moody, Stones-y ballad 'Gimme Danger', he flirts with a femme fatale who's guaranteed to be trouble but he doesn't care. On the aforementioned album opener 'Search And Destroy', Iggy comes over like a one-man military manoeuvre, while the third track, 'Your Pretty Face Is Going To Hell', is a self-explanatory putdown song.īut the LP does contain light and shade. In some ways the music was a continuation of The Stooges' earlier style. ![]() It was from these sessions that the material for the new album Raw Power was chosen. Iggy and Ron Asheton at Olympic Studios in Barnes, 1972ĭuring their London sojourn, the band played one, legendary, show at the King's Cross Cinema in July 1972, and started rehearsing and demoing song ideas at RG Jones Studios in Wimbledon, and Olympic in Barnes.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |